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The Whiplash Curve

by Kristia Di Gregorio

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1.
I live in the half-world of shadowy delights We live for the moment, we live for the night Our women are nightbooms in Alençon lace And the kindness of candlelight takes years off a face Behind the thick curtains which drown out the din Your men come to visit and practice within Society frowns on transgressions of class And would not be amused by the fortunes amassed Cornelia, Cornelia, what about love? Is your heart so hard that you've just given up? Cornelia, Cornelia, what about love? What about love? The artists, the writers, the drunkenly bold Are drawn to our light like the fools are to gold We are the muses, immortals in paint And we will live on while your memory fades Cornelia, Cornelia, what about love? Is your heart so hard that you've just given up? Cornelia, Cornelia, what about love? What about love? We are the demimonde, let down your hair Our time is once upon but no fairytales here It's just a little crime, it's not a sin So leave all your guilt behind.... when you pay to get in Cornelia, Cornelia, what about love? Is your heart so hard that you've just given up? Cornelia, Cornelia, what about love? What about love?
2.
One more song, one more song Before the last call The man at the keys could play any tune In the dance halls of Montreal Stumble home, stumble home Far too late again The angry wife is silent this time For she has hatched a plan Oh you quiet weaver Oh you daytime dreamer Living out the brilliance you hid so well But night you were a player And she feared a strayer The disappearance of Antoine Labelle Sleep it off, sleep it off The banging at the door The men who have come to take him away Cannot be ignore Your father's gone, your father's dead That's what they were told All his things were packed away And his piano sold Oh you quiet weaver Oh you daytime dreamer Living out the brilliance you hid so well But night you were a player And she feared a strayer The disappearance of Antoine Labelle Another day, another day On monastery grounds Tending to a tidy life Where he would not be found Longing for, longing for And instrument to play He had not sung a note Since he was locked away Oh you quiet weaver Oh you daytime dreamer Living out the brilliance you hid so well But night you were a player And she feared a strayer The disappearance of Antoine Labelle There was a call, there was a call After so much time Came the strange and sudden news Crackling down the line He was gone, he was gone There was no false alarm He was kept for fifty years Far from music's harm Oh you quiet weaver Oh you daytime dreamer Living out the brilliance you hid so well But night you were a player And she feared a strayer The disappearance of Antoine Labelle
3.
Oh My Heart 03:53
I can feel the ticker murmur The skipping beats, unsteady measure I can count the pauses in my time In my chest the rushing footfall And at rest, the hopeful birdcall I can count all the loves of my life Oh my heart... I have spent a lifetime mending A tender heart needs constant tending I can count the wounds that healed in time There is a pain in some dark recess Speaks the truth, no need to confess I can count the secrets brought to light Oh my heart... instrumental You fickle thing I long to sing Of hearts constant and true Mine's not right, try as I might It's a broken gift I give to you There is a fence that keeps out wonder You throw your heart and then jump over I have not been brave enough to ride But you ditch the fear and come out running And find your heart is still a strong thing Saying love won't kill you, though it might Oh my heart... Oh my heart...
4.
I should have been a beauty Painted by Boldini Celebrated elegance With suitors deemed unseemly I should have sat for Sargent Let the masses make a fuss Over errant shoulder straps We must do what we must I was born out of time It's far too late to get out of line In this age I'm good Oh, one hundred years to be misunderstood I should have borrowed trouble I should have stolen pearls I should have taken men to task And flirted with the girls I should have danced on tables Or had a circus show I would have flashed my ankles At people in the know I was born out of time It's far too late to get out of line In this age I'm good Oh, one hundred years to be misunderstood Loosen the laces Throw open the shutters I'm not the only one lost here There have to be others So put down your pens And just drop the disguise We are misplaced here... I was born out of time It's far too late to get out of line In this age I'm good I was born out of time It's far too late to get out of line In this age I'm good Oh, one hundred years to be misunderstood
5.
O Soldier 05:01
I have womankind's long wait in my blood Some wait for kindness, some wait for love There are no promises you boys can bring No photos in lockets, no letters in pockets A fleeting, bitter-sweet dream O Soldier where you off to now? I care about the when but not for the how That far-flung country, this final fling No photos in lockets, no letters in pockets A fleeting, bitter-sweet dream Oh the sight of you wore me through The slight little bite of regret I've fallen for the charms of a man Who could talk a shoulder... out of a dress We do not have if, we do not have might I'm carrying on while you keep up the fight And should you return I will wear no ring No photos in lockets, no letters in pockets A fleeting, bitter-sweet dream Oh the sight of you wore me through The slight little bite of regret I've fallen for the charms of a man Who could talk a shoulder... out of a dress I guess we owe you all our lives And your desires could not be denied I'd blame this on our desperate times But the truth is... the truth is... Oh the sight of you wore me through The slight little bite of regret I've fallen for the charms of a man Who could talk a shoulder... o soldier Oh the sight of you wore me through The slight little bite of regret I've fallen for the charms of a man Who could talk a shoulder... out of a dress
6.
Fading Flame 04:06
My love and I know ancient truths And I speak to him in tongues We ignore the fact I'm far too old And he is far too young We can see past future days And we talk of lives before And we suffer for our union, thus For he is but a boy Oh you brightly burning youth I am your fading flame Even though your love is true I cannot take your name What could the future hold for us I have such concern My life now feels far too short And he still has much to learn But I will lay upon his chest And my hand be held in his And the years upon them do not match Yet I know our spirits fit Oh you brightly burning youth I am your fading flame Even though your love is true I cannot take your name Eternal love has no age And holds us in embrace And we could never shed the bonds we share For we’re tethered face to face And if time rushes quick from us Of that we've no control I'd still walk the very ends of earth To claim my matching soul I would walk…. I would walk… I would walk the very ends of earth To claim my matching soul
7.
Sit in the corner of this darkened room Sweetheart please tell me you’ll meet me here soon I’m peeling the paint, I’m carving the wood This makes me a vandal and that can’t be good If you don’t come by, if you leave me be This flame will continue to burn into me Maybe you can’t put this thing out Your love is a flood but mine is a drought In this heart of empty pockets You’d be the change You’d be the price of a life rearranged In this heart of empty pockets You’d fill them up But the only thing that’s full tonight Is yet another cup I’d be pacing the boards, I’d be drinking my fill But I am just trying to sit very still So I look up, I’m watching the door I’m watching the clock and I’m waiting some more In this heart of empty pockets You’d be the change You’d be the price of a life rearranged In this heart of empty pockets You’d fill them up But the only thing that’s full tonight Is yet another cup Time it ticks by, hope turns to doubt You’re not coming to see me, it’s clear she’s found out I’m holding my own at this bar tonight But I’ll save you a seat… for the rest of my life In this heart of empty pockets You’d be the change You’d be the price of a life rearranged In this heart of empty pockets You’d fill them up But the only thing that’s full tonight The only thing that’s full tonight The only thing that’s full tonight Is yet another cup
8.
Bring me back these pretty things Silk and spices fit for kings Far off lands you travel from Bring me back your love Up above the river black Wishing tides to bring you back I do not keep company While you are out to sea You’ll have gifts and fabrics fine Gilded woods and vintage wine A jewel perhaps to pin upon One who pines when you’re gone All the garnets at my throat The velvet dress, the ermine coat Dressed alone in finery For a lover absentee You’ll have gifts and fabrics fine Gilded woods and vintage wine A jewel perhaps to pin upon One who pines when you’re gone Thank you moon, thank you sea You’ve returned him safe to me The pretty things for which he roams Have brought him safely home
9.
Vincent 04:35
Starry, starry night Paint your palette blue and grey Look out on a summer's day With eyes that know the darkness in my soul Shadows on the hills Sketch the trees and daffodils Catch the breeze and the winter chills In colors on the snowy linen land Now I understand What you tried to say to me And how you suffered for your sanity And how you tried to set them free They would not listen They did not know how Perhaps they'll listen now Starry, starry night Flaming flowers that brightly blaze Swirling clouds and violet haze Reflect in Vincent's eyes of china blue Colors changing hue Morning fields of amber grain Weathered faces lined in pain Are soothed beneath the artists' loving hand Now I understand What you tried to say to me And how you suffered for your sanity And how you tried to set them free They would not listen They did not know how Perhaps they'll listen now For they could not love you But still your love was true And when no hope was left inside On that starry, starry night You took your life as lovers often do But I could have told you Vincent This world was never meant for one as beautiful as you Starry, starry night Portraits hung in empty halls Frameless heads on nameless walls With eyes that watch the world and can't forget Like the strangers that you've met The ragged men in ragged clothes The silver thorn of bloody rose Lie crushed and broken on the virgin snow Now I understand What you tried to say to me And how you suffered for your sanity And how you tried to set them free They would not listen They're not listening still Perhaps they never will...
10.
As you stood at the edge No hopes to dredge Did you ever imagine this? Unknown girl, with the strange little smile You'll have the most kissed lips In the blue hour The river's dark power Seduction is just a slip Unknown girl, with the strange little smile You'll have the most kissed lips Don't think you're at the end True, your name will not be known Your face will live again And save the drowning souls Dragging you down The weight of your gown The skirts that he once did lift Unknown girl, with the strange little smile You'll have the most kissed lips Don't think you're at the end True, your name will not be known Your face will live again And save the drowning souls Ophelia's face Your peaceful grace Ever in slumbered bliss Oh, l'inconnue... with your strange little smile You'll have the most kissed lips You'll have the most kissed lips You'll have the most kissed lips

about

The Whiplash Curve is a lush and cinematic recording filled with swelling strings and gypsy influences. Kristia Di Gregorio takes us on an escapist journey through the Belle Époque and introduces us to unruly women of the turn of the 20th century... stealing pearls, dancing on tables and loosening the corset strings.

Under the immaculate attention of Grammy-nominated producer Joby Baker (Cowboy Junkies, Alex Cuba) the arrangements on The Whiplash Curve create a lush and evocative setting for stories of artists, soldiers, kept women and merchant sailors. Kristia is joined by a stellar cast of musicians such as Richard Moody, Adrian Dolan (The Bills), Quinn Bachand, von Loewen and Tony Di Gregorio.

credits

released March 1, 2014

All songs written by Kristia Di Gregorio except 'Vincent' by Don McLean

Recorded, mixed and mastered at Baker Studios - Victoria BC Canada
Produced and engineered by Joby Baker with additional engineering by Adrian Dolan

Photography by Francis Litman

Artwork and design by Carylann Loeppky, Dope Design Studio Ltd.

~:::--------------------------------------------------------------------------:::~

ADRIAN DOLAN: accordion - 2, 7, 10 violin - 5

BEATRIX MOONEY: vocals - 3

JOBY BAKER: double bass - 1, 2, 3, 4, 5, 6, ,7, 8, 9, 10 drums - 1, 2, 3, 4, 5, 6, 7, 9 percussion - 7, 9, 10 celesta - 1, 3, 5 vocals - 6

QUINN BACHAND: guitar - 3, 7, 8

RICHARD MOODY: violin - 1, 2, 5, 6, 7, 8, 9, 10 viola - 1, 3, 4, 5, 6, 10

TONY DI GREGORIO: guitar - 4, 5, 6, 8, 9, 10 mandolin: 2, 3

VON LOEWEN: piano - 2, 9 piano strings - 10

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Kristia Di Gregorio Victoria, British Columbia

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